In this body of work, I have been looking at different ideas about time and art history. I was questioning the notion of linear time and its insistence on the distinction of past present and future. Through the making of this body of work I was asking: if time were to be reconsidered as multidirectional and not as a linear trajectory, how would this impact ideas around progress and completion? I started to see the paintings not as a static force in a linear trajectory, but more like what …