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Lisa Patroni

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Statements

Lisa Patroni monochrome painting Waverley Bondi Pavilion 2020

Artist Statement for ‘Inbound’

February 1, 2020 By LisaPatroni

Work in the show began with the question - where does something begin and where does it end? Each piece was created through meditations on time and interspersed with everyday objects encountered through chance. Together they became a mix and match, a search for relationships, a game of assemblage - driven by the puzzle of 'thinking and doing' - until a creative answer presented itself. The work embodies the process of making itself. 'Inbound' was a group show at Bondi Pavilion (in February of …

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Lisa Patroni artist statement monochrome painting

Artist Statement for ‘Mostly Monochrome’

September 4, 2019 By LisaPatroni

In this body of work, I have been looking at different ideas about time and art history. I was questioning the notion of linear time and its insistence on the distinction of past present and future.  Through the making of this body of work I was asking: if time were to be reconsidered as multidirectional and not as a linear trajectory, how would this impact ideas around progress and completion? I started to see the paintings not as a static force in a linear trajectory, but more like what …

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Lisa Patroni gilded object Airspace Faux Pas

Artist Statement for ‘Faux Pas’

September 1, 2019 By LisaPatroni

This exhibition explored failure, the faux and the fake as recognised and celebrated parts of artistic strategy. It explored how the reversals and the gaps between intention and realisation in creative production are often more interesting than the more orthodox ideas of success and completion.  Failures and mistakes can often give rise to more open ended, less dogmatic space, where questions can be left unanswered and incongruencies left unresolved.  By resisting the authority of what …

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Lisa Patroni National Art School MFA graduate show 2018

Artist Statement for the National Art School MFA Grad Show

November 8, 2018 By LisaPatroni

This work explores the paradoxical nature of the monochrome - how the monochrome rejects subjectivity and simultaneously allows for subjectivity, embodies both the material and immaterial, and allows for multiple interpretations of both poetic and political aspects of everyday lived experience.  The central proposition of this project is that by exploring the boundaries of traditionally fixed binary oppositions, through the physicality of making, a new space for imaginative capacities can emerge. …

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